‘Bone Criers are the last descendants of an ancient famille charged with using the magic they draw from animal bones to shepherd the dead into the afterlife—lest they drain the light from the living.
Ailesse has been prepared since birth to become their matriarch, but first she must complete her rite of passage: to kill the boy she’s destined to love.
Bastien’s father was slain by a Bone Crier and he’s been seeking revenge ever since. Now his vengeance must wait, as Ailesse’s ritual has begun and their fates are entwined—in life and in death.’
I loved this book. I initially sat down intending to read the first few chapters, then I was nearly all the way through it and it was dark outside. The narrative alternates between the points of view of Ailesse, Sabine and Bastien, the former a pair of Bone Crier friends, and the latter determined to destroy a Bone Crier in payment for the father he saw slaughtered when he was a child. Ailesse and Sabine are firm friends, despite their differences, such as Sabine’s reluctance to kill creatures to magically gain the best of their abilities herself, while Ailesse is determined to earn herself the strongest of graces to aid her in following in her mother’s footsteps in leading their people, and I loved that they are supportive of each other despite not always understanding the other’s decisions. Bastien has his own companions in Jules and Marcel, who have likewise suffered loses at the hands of a Bone Crier, though it is not solely their intent on getting revenge that binds them together. In my opinion, family is one of the strongest themes running through Bone Crier’s Moon, whether blood or found family, something that is exemplified not only by the main characters, but in dialogue from others and elements of the culture and magic we see.
One of the things that I think makes the story work so well is that none of the characters are ever one hundred percent set on one course or belief, or completely unwilling to listen to those around them and learn from their experiences. It keeps them from falling too firmly into any stereotypical role and leaves the reader never quite sure how they will react to different developments, making the outcomes of the different threads of the story difficult to predict. To my mind, it also keeps everything much more focused on character development than simply moving the plot from point to point, and I’m sure I’ve said before that I much prefer this structure, rather than sacrificing time spent with characters to move events along. Though the events unfolding threaten to impact the protagonists at every moment, what we see of the characters is not a constant flurry of action, affording time for conversations and moments between them that allow for relationships to grow and develop in a manner that doesn’t seem forced or make the choices they make seem contrived. I don’t believe there is a character in Bone Criers Moon whose motivation isn’t something that invites a measure of empathy and understanding, and though some of them do walk darker paths that have them doing things that threaten to slide towards the ‘evil’ side of the spectrum, their reasons are not ones that paint them into a corner and invite snap judgements. The villains are not simply ‘villains’ – they are well-rounded characters that we learn significant details about, allowing the reader to understand them, if not to agree with their actions.
I really enjoyed the time the time spent with Ailesse and Sabine’s clan and what we learn of how their family functions, both in terms of the cultural side and the magical features. The concept of using the ‘graces’ (the skills that allow different animals to adapt and survive in the wild/their native environment) of creatures as a power develops the magic system as more than ‘just’ magic when paired with the rules that govern it. That each woman (aside from the clan leader) is only allowed three graces leaves a lot of room for individualisation and reasoning behind their personal choices, as well as consideration of what truly makes a person strong. Sabine cannot stand killing creatures and has only managed to obtain one grace at the novel’s opening, and while some look down on her power, others see her healing ability as a boon that makes her less obviously stronger than something that would grant physical power. While on the subject of potentially looking down on others, I was glad to see that Sabine and Ailesse’s clan, formed solely of women, does not invite tearing each other down. There are rivalries and disagreements, yes, but in this and the novel on the whole, the female relationships aren’t destructive (with a couple of notable exceptions that are more tied to the plot than women perceiving each other as threats) and actually grow and develop beyond any simple, ingrained or first-sight ‘hatred’. I am so, so tired of women in fiction being made to see each other only as someone to else to tear down and I was very glad to see relationships here developed beyond that sort of instinct.
Bone Crier’s Moon is out on April 30th in the UK, from Harper Collins! Thank you, Harper360ya, for sending my a copy to review! I loved this book and hope you will too!